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Robb Long
Zoë François takes a lump of dough from the refrigerator.
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No-nonsense artisan bread
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By Tricia Cornell
If you have any interest at all in baking, you probably made a loaf or two of Mark Bittman's amazing no-knead, 24-hour bread last fall. Weeks after the New York Times published the recipe, the article still topped the paper's most-emailed list. Months later, bloggers were still swapping hints and modifications and posting tempting pictures of beautiful bronze loaves, all made without a single punch, pull, or knead.
It was a phenomenon perfect for our time, when busy, plugged-in people are obsessed with hearth and home.
Well, this is not that.
This is better.
Southwest bakers Zoë François and Jeffrey Hertzberg have gone one step beyond Bittman, the self-proclaimed Minimalist: They've created a no-knead, slow-rise bread recipe that will keep in your fridge for up to two weeks, while you regularly lop off bits, shape them and bake them.
Their new book, "Artisan Bread in Five Minutes a Day" (St. Martin's Press, 2007), strips bread baking to the basics: measuring and stirring. No weighing, no proofing, no poking, no punching, no kneading, no exacting rise times, no windowpane stage, no autolyse, no worrying whether the dough has doubled or tripled in volume. Now, if you're proud of your windowpane and never fail to include an autolyse, then, well, then you can do that kind of baking on the weekends. This is weeknight baking. Or, if you're Hertzberg and François, every night baking.
The two met at a class at McPhail Center for Music when their kids were toddlers. François had trained and worked as a pastry chef. Hertzberg, a doctor and scientist, was a native New Yorker who had never forgotten the hearty, crusty loaves available on nearly every street corner in Queens. Naturally, they got to talking bread. Hertzberg's enthusiasm for a method he'd been playing around with — letting time and moisture do the hard work of developing gluten, rather than kneading — caught François's attention. Soon they were both trying the limits of the dough, and François had figured out how to make the method work with rich egg and butter doughs she used in pastries.
It was a call to Lynn Rosetto Kasper's Saturday afternoon public radio cooking show, "The Splendid Table," — Hertzberg says his wife talked him into it — that turned the project into something more than a hobby. An editor from St. Martin's Press happened to be listening, and called the show to request a book proposal. Off air, Kasper hooked the novice authors up with her own literary agent. After the book sat on the back burner for a few years — both authors had young kids, after all — the two spent all of 2006 writing and baking. And baking. And baking. Neither one kept a tally, but they figure they baked well over 1,000 loaves while developing the 100 recipes in their book.
Those recipes represent a fairly even mix of the European immigrant breads of Hertzberg's memory and Francois's childhood on a Vermont commune. (Not only is there a recipe for granola bread — and the granola to go in it — there are four different types of oatmeal bread.) The book also spans the globe, from baguettes and Portuguese broa to Moroccan ksra and Armenian lavash. Many of the recipes are based on one of two basic master recipes — a versatile white dough and a rich, eggy, buttery brioche dough — but others include whole wheat and rye flours, semolina, cornmeal, buttermilk, and even squash.
Because no one lives by bread alone — and because certain foods just cry out for good bread to accompany them — the authors included their favorite recipes for gazpacho, a cumin-laced yogurt soup, and spicy kebabs. And, because, if you're baking every day you will inevitably end up with some extra bread, there are a few ways to use it up, like bread pudding, panzanella (an Italian bread and tomato salad) and Lebanese fattoush (a salad of stale pita, greens, and a dressing of oil, lemon and za'atar).
On a sunny fall afternoon in Francois' Linden Hills kitchen, about a dozen of these recipes were on display. She pulled a plastic box out of the fridge and dusted the contents lightly with flour before cutting off a grapefruit-sized hunk of golden dough studded with dried apricots. It had been in storage about a week. Ever so gently, she tucked the sides of the ball under, making a smooth, taught dome. This is called "cloaking" and it is the most handling this dough ever saw. After a rest of 40 minutes or so, this went into a fluted brioche mold and become panettone, an Italian Christmas bread.
"My kids can make this," François said. Her sons are 6 and 8. "I don't think they even measure, they just go by feel."
Meanwhile, Hertzberg assessed a batch of plain white dough and decided it was old enough to shape into a pizza. The dough gets looser the longer it sits in the refrigerator. A fresh dough will probably be too puffy for pizza, and an older dough probably couldn't hold the high round shape of a boule.
On the table, there was a pain d'epi (a show-offy French loaf shaped like a stalk of wheat that this baker can't wait to show off), sticky bunsand a tidy, dense little Russian rye. Francois heated a deep saucepan of oil where squares of brioche dough would become beignets.
It was enticing in an all-this-can-be-yours way. I thought of the hours of effort and multiple tries it would take to perfect such different types of dough. I thought of the famous, fat recipe book on my shelf with its tables of protein content for various types of flour and its dire warnings that deviations from the 17-step recipes will result in devastating failure. I thought of the scant hour and a half I have between arriving home from work and the kids' bedtime.
I was sold.
At home, I discovered that it really is that easy. Sunday night I stirred yeast and flour into warm water, put a plate over the mixing bowl and put it in the fridge. I had finished washing the spoon before five full minutes had passed. Monday evening, we walked in the door and I headed straight for my dough: It was bubbly and wet, and even looked soupy. But as soon as I touched it, it tightened up, like "real" bread dough, though a little stickier. A short rest, into the oven, and we had hot, fresh, homemade bread on a weeknight.
And that's the point, according to Hertzberg. "We're all busy," he said, "but we all want to be able to feed our families real, good food."
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Art beat // Closing and opening
By Dylan Thomas
Art of This leaving current space, but won’t cease to existLYNDALE — A few weeks before they planned to shutter their Nicollet Avenue art space for good, John Marks and David Petersen of Art of This Gallery reflected on “Open Summer,” their ongoing, open door, last blast summer project. A free-for-all residency program that eventually enrolled 80-some artists, the slowly percolating “Open Summer” was building steam as it headed into its, and the gallery’s, grand finale at the end of August. And for all the potential pitfalls in telling some seven dozen people where the gallery key is hidden, about the worst thing that happened all summer was when someone spilled salsa in the refrigerator and never cleaned it up.
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On the mat // Green yogis in Linden Hills
By Sarah McKenzie
Devanadi Yoga, a new studio near Lake Harriet, is a trailblazer in the local yoga community. The small 525-square-foot studio, tucked behind the Bruley Center on West 43rd Street in Linden Hills, is the first yoga studio in the state to be certified by the Green Yoga Association for its environmentally friendly efforts. The studio’s green practices include using non-VOC paint, controlling the thermostat to keep the building energy efficient and encouraging students to walk, bus or bike to class. Tanya Boigenzahn Sowards, studio director/owner of Devanadi Yoga, said being green is “core value of the studio and it ties back to the yogic philosophy of doing no harm.” “Minneapolis frequently ranks as one of the top green
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Everyday gardener // Q&A
By Meleah Maynard
Struggling tomatoes, rain barrels and rootbound plantsEven though spring started in earnest in March this year, it still seems like summer is going by too fast. So, fast, in fact, my inbox has been a bit stuffed with questions. As always, I’ve replied directly to people who asked for help with various things. But here in the column I’m going to cover some of the questions that seem likely to be of interest to a lot of gardeners. By far, the questions I’m getting most are about tomatoes, so I’ll start there. Q: My tomato plants look good and have a lot of flowers, but I’m not getting a lot of fruit this year. What’s going on?A: It’s been too hot for tomatoes to set fruit
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Flavor // A smokin’ sensation on Nicollet
By Carla Waldemar
If you’re wondering what caused the traffic stand-still on South Nicollet the other evening, let’s just say I should have kept my window shut. When passing cars got a whiff of possibly the best aroma in the galaxy — I’m talking about barbecue, of course — they halted to demand, “Where’d you get that?” At C&G’s, of course. Greg Alford launched C&G’s Smoking Barbecue exactly a year ago; the anniversary balloons in the otherwise-Spartan, clean-as-a-whistle hole in the wall provided the only touch of whimsy in this serious business. Greg was born in Louisiana, which may explain his superior taste in food. He grew up in Detroit, one of 12 kids whose mamma set him to cooking when he was 5, he
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Wild city // Eating the yard
By Mary Jean Port
I love August. It is so lush. All summer, as I nurse the garden along, I anticipate these eating days. We now have too much of everything: tomatoes, green beans, heat, humidity, and also thunder, for those of us who have a dog frightened by it. I have been working our piece of ground for 14 years, and have good soil to show for it. Back when we first started, my husband was more of a lawn guy. He liked the idea of a garden, but drew a line in the grass with his toe. Don’t dig up anything beyond here, he said. So I dug my first of what are now 10 beds, and planted the pumpkin right on his line. The vines ran out of the garden and took over the whole backyard. My husband good-naturedly threw up his hands. We started with vegetables, and
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Kid rock
By Sam Lane
Twin Town Guitars hosts a camp that gives young musicians a chance to play and perform in a bandMore than 60 excited, camera-toting fans packed Cause Spirits and Soundbar on a warm August afternoon waiting for two headline bands to take the stage. The hotly anticipated musicians weren’t well known. They weren’t 20-somethings trying to strike a record deal. They weren’t middle-aged men trying to relive their youth. They were kids, ages 8–17, who spent prior weeks at Twin Town Guitars, 3400 Lyndale Ave. S., preparing for their first concert. In an economy where budget cuts deal constant blows to public school music programs, the owners of Twin Town have spent the last three summers providing a haven for aspiring
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